Jimkata makes their triumphant return to Flour City Station.
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Jimkata
In Motion
Take note: Jimkata is not a cool electronic rock band.I mean, they are. The band’s new album, In Motion, is a triumph of swirling analog synths and breezy pop hooks. It’ll make your body groove. But dig deeper. You’ll be rewarded with something more…personal. “There’s a lot of great music out there that makes you move, but you don’t remember it afterwards,” says Jimkata frontman Evan Friedell. “We’re OK with embracing our emotional side. I think we have a little bit of soul. We’re embracing all the things that make classic songs.”
This added emotional gravitas is borne partially out of trust. Friends since middle school, Friedell, Aaron Gorsch and Packy Lunn infuse Jimkata — which, yes, is named after the so-bad-it’s-good 1985 gym-fu caper Gymkata—with both an adventurous musical streak and an emotional core.
“I was drawn to music in two ways,” says Friedell. “One was through the backbeat—I grew up with Michael Jackson and Paul Simon’s Graceland. Everything was rhythmically accentuated. But the second avenue is good songwriting. Something that hits the body and the heart.”
Which means, mixed in with the modern synth sensibilities (you’ll certainly hear echoes of LCD Soundsystem on album closer “Synapses”) and progressive rock tropes are influences drawn from the likes of Motown, singer-songwriters like James Taylor and even old country songs, where storytelling and a quick turn of phrase share priorities with melody and the beat.
It’s an unusually rich and rewarding mix, and one that’s evolved naturally. Over the past half-decade, the Ithaca-based band has operated without a record label, publicist or support system of any kind. “We just road dogged it,” says Friedell. “It’s all DIY. Doing 150 shows a year, sleeping on floors, recording songs along the way. We built everything organically, all word of mouth. The advice we got when we started was ‘Just go out and play. It’ll pay off.’”
In Motion marks the band’s second fan-funded record through PledgeMusic. Gorsch’s love of unusual rhythms and vintage synths fuel the album’s first half, highlighted by the pop earworm “Wild Ride” and the melancholia of “Jumping Out of Airplanes.” Halfway through, the album shifts to a more progressive, guitar-based affair, led by the percussive funk of “Innocence.” It’s an adventurous album, one that could find a home equally amongst fans of Yeasayer, LCD Soundsystem or Tom Petty.